Tag: benjamin mortimer

  • Futures – book review: things are never ‘stupid A to B’

    Futures' author John Barker
    Author John Barker

    Is there any deeper link between finance and cocaine than the role credit-cards and twenty-pound notes play in its ingestion? In 2009, the UN illegal drugs ‘tsar’ Antonio Maria Costa claimed an estimated $315 billion of drugs profit was “the only liquid investment capital” available to some banks in the aftermath of the 2008 credit crunch, the only thing keeping them from seizing up.

    Costa’s accusation was one of the reasons former Angry Brigade member John Barker resurrected a manuscript from the late 1980s and reworked it into his new novel, Futures. The year is 1987, and inspired by ‘Big Bang’ deregulation, City analysts and inveterate snorters Jack and Phil plot to score a huge cargo of cocaine, in anticipation of a massive price rise.

    Trouble comes their way as it becomes apparent that even the not-altogether rectitudinous business practices they know from high-finance are, morally, a cut above those of the criminal underworld their new commodity throws them into trading with. Cue fast cars, pornography, pub-brawls, beatings and killings, and the endless search for a working phone-box.

    It is this messiness of doing deals, rather than any critique of what City folk choose to do with their noses, that the presence of cocaine in the novel serves to highlight. It zooms in behind neatly abstract contracts and indices to show the lives and difficulties of the people buying and selling, with the drug world a particularly pungent example of this on-the-ground intractability.

    Hence the novel’s structure: chapters alternate between separate narratives, each following different characters. As Futures proceeds, stories connect and overlap. Carol – “a survivor”, in Barker’s phrase – is a single mum who makes ends meet selling small amounts of coke every few weeks. It turns out she’s Jack’s dealer, through whom he’s conducting the research into market conditions which underpins his and Phil’s cocaine ‘futures’ enterprise.

    Shadowing everyone is gangland big-cheese Gordon Murray, for most of the novel the only character who gets to speak in the first person. Barker wanted Murray’s voice in the book because he finds him “boring” for the way he “mimics neo-liberal language”. (Barker is working on a new book, Terms and Conditions, a dictionary of buzz-words and the ideology they can serve or conceal).

    Big-business talk – “leverage”, “deliverables”, “offer”, “strategy” – is a bête noir of contemporary discourse. But commercial and economic literacy has always been seen as useful on the Left. Barker has been writing about economics for decades, with articles in the magazines Mute and Variant. An essay at the end of the book explores the connections between US agricultural and foreign policy and the rise in cocaine cultivation in South America.

    Barker is a slightly better essayist than he is a novelist, the same emphasis on complexity and flux making for a compelling modesty in what he writes. His arguments, he says, are valid, and his facts are true, but are not the whole story – there are other truths and other facts. As his analyst characters are fond of saying, things are never “stupid A to B”.

    Futures by John Barker is published by PM Press. RRP: £9.99 ISBN: 9781604869613

  • Still Angry? John Barker on the Angry Brigade and his new novel Futures

    Writer John Barker
    Writer and former Angry Brigade member John Barker. Photograph: Eleonore de Bonneval

    On 20 August 1971, John Barker was arrested during a police raid on number 359 Amhurst Road. He was detained by a specialist unit, the Bomb Squad, which had been set up at the start of the year with the express purpose of laying hands on him and the organisation he was part of, the Angry Brigade, which was linked to 25 bombings of MPs’ homes, government buildings and company offices between August 1970 and August 1971.

    One person was slightly injured by an Angry Brigade bomb, but no one was killed. According to police reports, there was a fair-sized arsenal in the Amhurst Road flat, including three guns, ammunition, sticks of gelignite and detonators to set them off. Barker was put on trial with seven associates – ‘the Stoke Newington Eight’ – at which it was argued that the group had conspired to cause explosions only for publicity purposes, not to harm anyone.

    Supported by the Stoke Newington Eight Defence Committee (“a widely-based, politically creative organisation of very different people,” several of whom had legal expertise), Barker, like fellow-accused Hilary Creek and Anna Mendelson, opted to defend himself. He says he was better at fighting his corner in the courtroom than he ever was at being an urban guerrilla, and going to Cambridge possibly helped.

    Barker studied English at Clare College, Cambridge, and his old supervisor, John Newton, spoke up for him at the trial. Barker never sat his finals exams, however: along with six other students, he tore up the paper in a “quixotic protest” against elitism. “It was because – and I still think this is the case – that the education system, increasingly so, is one basically that excludes. And the function of exams, in the class system, is one of exclusion. And I don’t regret it.”

    He doesn’t regret the Angry Brigade’s use of violence, either. “It’s not a moral question is it? It’s, you know, did it do anything strategic? Obviously you don’t want to hurt people. In the Angry Brigade trial it was proven over and over again that we wanted to cause damage to property but not to people.

    “I’m totally against terrorism as I understand it which is indiscriminate killing.”

    Nowadays, Barker works as a book-indexer and writer. His new novel, Futures, follows ‘City gents’ Phil and Jack as they plot to set up a cocaine futures market, pitting their analytical skills against understated psychopathic gang-master Gordon Murray, who has a line in Commercial Road wine-bars and softish-core Iranian porn.

    Set in 1987, one year after Thatcher government deregulation unleashed the ‘Big Bang’ on the City of London, the book experiments with the kind of levelling attitude a life spent around money can engender, one which takes a wide view of the world but reduces events to a single point of significance. Its analyst characters, according to Barker, “are in a very ruthless way looking at what changes the price of things, and it makes no difference to them whether that’s people getting killed in a mine in South Africa or some shift in American monetary policy – they look at it all in the same way.”

    Barker classifies Futures as a “dark comedy”, stripping the glamour off money and drugs. The story alternates between a third-person narration and a first-person view from behind Murray’s eyes. “I wanted his voice in particular because I think he’s a bore,” says Barker. ‘He’s really boring, not only unromantic but the way he kind of mimics neo-liberal language.” Murray is professional, self-controlled, but “in the end, a bit of a panicker”, a sort of gangland mirror of financiers in 1987, which included, in October, the panicked crash Black Monday.

    Barker followed such events devotedly in the Financial Times, whenever he was able to persuade the group of ‘nutcases and gangsters’ he shared a prison wing with to vote to have it as their paper of the month.

    As well as writing, Barker is also collaborating with the Austrian artist Ines Doujakon on art and performance work Loomshuttles/Warpaths, telling the story of textiles and colonialism over the last 1000 years, and showing this summer at the Sao Paulo Biennale.

    He looks back on the Angry Brigade years with “critical respect”: “My respect about it is the commitment and the anger, that I still feel and probably even more so.

    “Critical in that we didn’t change anything much. And I suppose it wasn’t very democratic politics.”

    The current political situation is, he says, “horrible”. “At a subliminal level, there’s this whole thing, all across Europe, that the poor have had it too good. Elites are always going on about ‘yes, you know welfare’s too soft,’ or this and that are too soft.” He’s critical too of the accompanying idea that ‘the Chinese are coming’: “There’s always this implication that there is a threat from Asia, so we need to adopt Asian values, Asian wage-levels, and we’re too soft and we can’t compete; which I think is by and large a nonsense because they’re not looking at what’s going on in Asia, where you have huge levels of class-struggle going on.”

    The fight today is about the particular, the unfungible: “The people I admire now are people who at an everyday level are fighting to keep nurseries open, or actually, you know, battling against real substantial cuts – that very unglamorous political work is the most important.”

    This is the small scale, un-regarded work which world-bestriding views tend not to notice, be they global capitalist or those of classical Marxism.

    John Barker will be speaking at The White Hart, Stoke Newington High Street on Sunday 8 June at 2pm, as part of the Stoke Newington Literary Festival.

    Win two free tickets to the event by answering correctly the following question: 

    In the 1970s, the Angry Brigade firebombed a building where Stoke Newington Bookshop now stands. What was there before it was bombed?

    A – a launderette B – Barclays Bank C – James Preston Butcher D – a church

    Send your answers to info@stokenewingtonliteraryfestival.com

     

  • Masters of the Airwaves: The Rise and Rise of Underground Radio – review

    Patrick Vernon and Trevor Nelson
    Patrick Vernon and Trevor Nelson

    The ‘VJ’ in Dave VJ stands for ‘vinyl junkie’, and the book he has compiled with Lindsay Wesker collects the stories of people addicted to music and records in the 1980s – soul, RnB, early hip hop and rap. At its heart are the pirate radio stations which were for almost everyone the principal way they could listen to the music they loved – most prominent is Kiss FM, where Wesker and VJ met and which started as a pirate station in 1985.

    Masters of the Airwaves is a collection of interviews with almost everyone who was active in some way in the 1980s black music scene in the UK, including artists, DJs, journalists, promoters and record company people. VJ and Wesker, concerned that “a big part of the UK’s radio music history could be completely passed over if someone didn’t document it”, contacted everyone they could think of from the scene who was still alive with a basic questionnaire: who are you, what did you do, what’s happening now – tell us your story. The book prints their responses word for word.

    The stories are good: the constant danger of on-air electric shocks from the wires running all round the leaky office Kiss FM used as its broadcast HQ in the early days; producers who slept in their studios, with breakfast show presenters stepping over their bosses’ ‘guests’ from the night before; vanished jobs like being a ‘dinker’ (the person who punches holes in records for juke-boxes); DJs who spent the night on rooftops armed with baseball bats in case rivals attacked their station’s aerial to steal its slice of frequency; malfunctioning sound desks and advice from Dave VJ as to what to do if this happens: “PRESS EVERY BUTTON in the vicinity of the turntables AND PRAY!”.

    Bound in a cover the size and shape of a vinyl record and filled with many beautiful photos of album sleeves and eighties fashion, Masters of the Airwaves is something of a collector’s item. Its format of disjointed detail, passionately set-down, isn’t for beginners, though there are a few primers, such as the list of “the big tunes of 1986” or “essential British black music purchases” – to bring the story into the modern era, those are two great Spotify playlists right there.

    Masters of the Airwaves: The Rise & Rise of Underground Radio is compiled and written by Dave VJ and Lindsay Wesker, edited by Patrice Lawrence and published by Every Generation Media. RRP: £30. ISBN 9780955106880