Tag: Influx Press

  • An Unreliable Guide to London – book review

    An Unreliable Guide to London – book review

    "Top-notch city writing" - An Unreliable Guide to London. Photograph: Timothy Cooke
    “Top-notch city writing” – An Unreliable Guide to London. Photograph: Influx Press

    An Unreliable Guide to London looks and sounds like a bit of a gimmick. The title positions it as a humorous alternative to the city’s latest Lonely Planet publication, while the front cover – laden with hackneyed London graphics and brandished with the tagline “bad advice – limited scope – no practical use” – is the type you might expect to find attached to an unwanted stocking filler. The content, however, is of an altogether different nature.

    The idea for the collection, which contains more than a few exceptional stories set in some of the capital’s lesser-known locations, arose during a conversation over meatball subs at a Tottenham retail park. Editors Kit Caless and Gary Budden of Influx Press sat together wondering why publishers weren’t printing books about the parts of London they knew and interacted with on a daily basis. “What novels had we read set in Hanwell, Cricklewood or Barking?” they asked.

    Inspired, they brought together 24 diverse contributors from across the city, before launching a successful Kickstarter campaign to give new literature to a London “that exists on the periphery of the imagination”.

    An Unreliable Guide… is divided into four sections – West, North, South and East (in order) – and draws on areas as far apart as Wormwood Scrubs and Exmouth Market, and then further again. Aki Schilz gets the collection off to a great start with “Beating the Bounds”, but it’s Eley Williams’s bizarre and brilliant “In Pursuit of the Swan at Brentford Ait” that really sets the work alight.

    Williams delves into the rich, ambiguous world of cryptid research, painting a mythological history of an over-grown swan believed to have long terrorised local riverbanks, with a plumage reported to be “dim smoky purple or a vivid electric pink”. She describes Brentford FC football chants that pay credence to the beast and details umpteen dangerous encounters stretching back centuries. It’s a stunningly strange tale.

    Budden’s own “Staples Corner (and how we can know it)” – about a trip on the 266 to Currys and PC World, dropped off amid a “web of underpasses and roundabouts, of concrete walkways and steps to nowhere… trapped in the fevered dying dream of a brutalist architect” – is another of West’s highlights, while Chloe Aridjis kicks off the North section with an evocative exploration of night, shadows and optical illusions in N1.

    Though M John Harrison’s “Babies From Sand: A Guide to Oliver’s Island, Barnes & the St Margarets’ Day of the Dead” is one of the weirdest, most-inspired pieces of short literature I’ve come across in a while, it’s the assemblage from East that is, for me, of most interest (primarily because I know the territory so well).

    The poet Tim Wells lyrically laments the loss of wanker-free record stores in Hackney, where back in the day he’d purchase reggae, drink beer and chat with mates, before moving on to get his fill of pie, mash, liquor and slippery eels at Cooke’s on Kingsland Road. Nikesh Shukla makes fine work of Tayyabs, the famous Whitechapel curry house, while Irenosen Okojie brings a dizzying, Borges-like tale of time travelling monks to Barking.

    As if that’s not enough, Marshman Gareth E Rees delivers a typically fun and enlightening account of a walk around Leyton Mills Retail Park – the car park, specifically – and co-editor Caless finishes things off with a probing series of politically-loaded vignettes dedicated to the forces tugging away at Exmouth Market; there’s spiced lamb, adulterous office sex and a bronze bust of Vladimir Lenin.

    Despite appearances, An Unreliable Guide to London is a formidable anthology of top-notch city writing.

  • Why birdwatching is the new favourite pastime for East Londoners

    Urban birder: Josh Loeb
    Urban birder: Josh Loeb

    Look for birds in East London and you might spot pigeons and call it quits. But look properly, really notice what’s around you, and it’s thrilling what you can see: kingfishers, woodpeckers, peregrines, owls – and that’s before you even get to the particularly rare stuff.

    London is a migration route filled with tributaries flowing into Mother Thames. There are valleys and heaths and ancient woodland. Seen from the sky our city is remarkably green. Conceiving of it like a bird might, and swotting up on plumage, has opened my eyes to new ways of experiencing these metropolitan environs.

    Birds were a childhood love but I stopped noticing them as I got older owing to preoccupations with trivial things and the perceived uncoolness of ‘twitching’. Now the obsession has gripped me anew and I’m filled with childlike wonder at the richness of it all. What’s more, I’ve discovered I am far from alone.

    Birdwatchers, birders, twitchers, ornithologists, avian enthusiasts – call us what you like – are viewed as eccentric bores by those ignorant of such joys. Trudging around with binoculars or a telescope and ticking off species on a list is not everyone’s idea of fun, but casual enjoyment of the natural world has huge, unappreciated benefits for mind, body and spirit.

    As with all things, there are different subspecies of birdwatcher, but you don’t need to consider yourself one at all to appreciate that the sight of a hawk or the song of a whistling warbler can make memorable what would otherwise be another tedious commute or humdrum office lunch break.

    “I did the London commute for quite a while,” recalls Howard Vaughan of the East London Birders Forum. “On my lunch breaks I wandered the streets and went into tiny little green spaces and found urban nesting sparrowhawks, a nuthatch, firecrests.”

    A committed birdwatcher since the age of five, he now works at Rainham Marshes on London’s easternmost fringe. It’s a miraculous place where lapwing flocks float above reedbeds and acrobatic falcons hunt dragonflies in summertime.

    Seals and porpoises pop up in the Thames, which flows past the reserve, and there are snakes, stoats and other creatures here too. Skyscrapers are visible in the distance and you can hear the groan of traffic from a nearby arterial road, but it’s hard to believe this is still London.

    Kingfisher Photograph: George Hull
    Perching: a Kingfisher in Rainham Marshes. Photograph: George Hull

    “I’m from Ilford,” says Vaughan. “My mum is a Plaistow, East Ham lady, so I have the East End in my blood. When I first started birding in East London 30-odd years ago, Rainham Marshes [then a military firing range] wasn’t really an option. I used to go to the urban and suburban parks.

    “I’d go birding in Wanstead Park and Wanstead Flats, up and down the Lea Valley. There are birds everywhere – that’s the bottom line.”

    Gary Budden, a writer and editor at East London publishers Influx Press, also caught the bug young from his father, a working class, self-taught amateur ornithologist. Like many birdwatchers, the pair went on trips to obscure parts of the UK in pursuit of glimpses of sought-after species.

    “We went all around the country doing birdwatchery stuff,” he says. “That probably instilled in me all the knowledge and gave me the passion for it. Then, when I got into my late twenties, it all just came flooding back.”

    Now 33, he agrees that birdwatching tends to appeal either to children or to retired men, acknowledging: “It has had an image problem – it still has one to an extent.”

    Budden’s own writing has been heavily influenced by The Peregrine, a niche work of literature by J.A. Baker, an Essex writer who was perhaps the ultimate obsessive birdwatcher.

    He says there has been a renewed interest in writing about nature and the British landscape and that public appetite for the “authentic experience” that birdwatching offers is growing.

    “I think people are bored, in a strange way,” Budden says. “When you go out looking for birds, you get something that counts as an authentic experience – an experience you can’t buy.

    “You have to go to specific places to see specific types of birds. You can’t get that in any way other than by physically going to that place and engaging with it and knowing what you’re looking for. I think that’s part of the appeal.

    “This is something that is completely outside of the human world, and it has site-specific aspects to it.”

    In an age when our eyes are increasingly focused downward at the tiny glaring screens of our devices, in a country that has lost most of its large wildlife, birds remain dramatic symbols of freedom, beauty and purity.

    “There is this statistic that British birds are the most watched in the world,” says Budden. “That is a curious but also rather unsurprising fact.”

    Flying widgen
    Flying widgen

    Is birdwatching undergoing a renaissance locally? There are signs it might be. Witness the plethora of blogs and Twitter accounts authored by youngish Hackney and Walthamstow types rhapsodising about the avian fauna of adjacent marshlands. People like Graham Howie, 37, a primary school teacher from Dalston who “started noticing” birds three years ago.

    “I was training for the Edinburgh Marathon in 2012 and I used to use the Lea Valley,” he says. “I’d run alongside the canal. I used to run up and down there and see all these birds that I’d seen before but had not taken much notice of – birds like kestrels and cormorants – and I started to stop and have a look at them. The next week I took a camera and took pictures, and when I got back home I identified them. I kept doing that for a while. I saw more birds and I got heavily into it.

    “Then I got to know the local birdwatching community. I met other people who were as odd as I was and got to know them and learned from them. They showed me other places I might not have known about otherwise.”

    With revamped bird reserves now being created in Stoke Newington and on the edge of Walthamstow, how long before this pursuit starts being marketed as hip, perhaps with the assistance of that newly fashionable retro font that adorns so many pricy cafes?

    I’m not sure I want it to be, but it would be no bad thing if birds were to become, for everyone, more than what J.A. Baker called “a tremor on the edge of vision”.

    rspb.org.uk