Tag: Old Street

  • Worth a butcher’s – Hill & Szrok restaurant review

    Worth a butcher’s – Hill & Szrok restaurant review

    "Easily the best steak either of us has had in the UK..." - the T-Bone at Hill & Szrok
    “Easily the best steak either of us has had in the UK…” – the T-Bone at Hill & Szrok

    Is it a butcher? Is it a restaurant? Actually it is both.

    Hill & Szrok you might know as the cosy Broadway Market butcher-cum-restaurant on Broadway Market.

    Its no-reservations table is invariably full of an evening, a fact that has always made me wonder if I will ever set foot inside.

    But no more. For the team behind Hill & Szrok have opened a new pub and dining room in what was The Three Crowns near Old Street roundabout.

    In keeping with a seemingly increasing trend for nose to tail eating, the team uses up every bit of the animal. The menu changes throughout the day as Alex Szrok, the chef, and his team work their way through the cuts.

    All the meat is slow-grown, free range and taken entirely from sustainable farms across England.

    The menu is small: a handful of starters, mains and sides, with a few specials on the blackboard that hangs above the open kitchen.

    hill-szrok-1-620

    But we found the select choice ample. The smokiness of the roasted romanesco and tang of the pickled radicchio cut through the rich, soft goat’s curd beautifully.

    Mussels made another welcome deviation from the meat theme, although they were slightly overpowered by the accompanying pancetta.

    For mains we were delighted to have taken the waiter’s advice and ordered what the restaurant does best: big cuts of meat.

    We shared a T-bone steak, which gives you both the sirloin and tender fillet cuts. It was easily the best steak either of us has had in the UK – juicy, flavoursome, pink the whole way along the cuts and falling apart in the mouth – and it rivalled any we had tried in South America.

    Though the restaurant stands out for its meat, a great deal of attention was paid to the details, which makes a huge difference. The chips were spot on: piping hot and crispy, served with aioli, and the spring greens were fresh, flavoursome and nicely seasoned.

    Vegetarians need not be deterred by the butcher’s reputation. The fish and vegetarian options were meals in themselves, not just back ups.

    The sourcing and the quality of the ingredients are a cut above the rest. The publicity promised “a no fuss, maximum quality approach”. It achieved exactly that.

    Hill & Szrok
    8 East Rd, Old St, N1 6AD
    hillandszrok.co.uk

  • 1972: The Future of Sex begins Shoreditch Town Hall run

    1972: The Future of Sex begins Shoreditch Town Hall run

    Generation sex - The Wardrobe Company on stage. Photograph: Jack Offord
    Generation sex – The Wardrobe Company on stage. Photograph: Jack Offord

    Sex began in 1963, said Philip Larkin. But in a play at Shoreditch Town Hall it’s the seventies providing fertile ground for sexual awakening.

    In 1972: The Future of Sex by The Wardrobe Ensemble three couples embark on having sex for the first time during one evening.

    This is the year when Ziggy Stardust first appeared on Top of the Pops, when Lady Chatterley’s Lover was finally published unabridged, and when the notorious pornographic film Deepthroat was released.

    “Our research led us to that moment because it seemed quite significant time in British public consciousness in terms of the changing of attitudes about gender and sexuality,” says the play’s director Tom Brennan.

    “We were looking to make a show about sex and sexual anxiety and our discussions led us to that moment in time between the AIDS epidemic and the sexual revolution.”

    In this era of glam rock and space-hoppers, Christine is steeling herself for the loss of her virginity with the nerdy lead singer of a local band, whilst other storylines involve a student who is inspired by her university professor in more ways than one, and Brian in his bedroom, exploring his sexual identity by himself.

    “The storylines are kind of woven together – we’ve structured it so we have a lot of narration in the show which allows us to jump between the storylines and kind of explore them simultaneously in some cases,” Brennan explains.

    The show features original music from Bristol-based songwriter Tom Crosley-Thorne, a school friend of Brennan.

    “I was in a band with him and when I was first talking to him about doing this show, the next day he sent me these amazing tracks, which are perfect homages to Bowie and The Who and Chaka Khan.”

    After a preview last year at Shoreditch Town Hall, Brennan and fellow members of The Wardrobe Ensemble took the play up to Edinburgh where it earned rave reviews.

    Now back in Shoreditch for a longer run, the play will be aiming to humorously highlight the challenges and pitfalls of growing up as a member of the class of ’72.

    “You had the first gay pride march in London and Lady Chatterley’s Lover was around,” Brennan says. “But then you had Mary Whitehouse and the National Festival of Light trying to ‘restore Christian morals’. So it was quite an interesting time.”

    1972: The Future of Sex
    12–23 April
    Shoreditch Town Hall, 380 Old Street, EC1V 9LT
    shoreditchtownhall.com