Tag: Sam Lee

  • Sam Lee and the Unthanks to play lost and found folk music of First World War

    Sam Lee, Rachel and Becky Unthank. Photograph: Sarah Mason
    Sam Lee, Rachel and Becky Unthank. Photograph: Sarah Mason

    Among the casualties of World War I were songs and stories that been passed down from one generation to the next.

    Recognising this, folk singer Sam Lee and Tyneside duo the Unthanks have collaborated on a project which they hope will bring these lesser known cultural relics to a wider audience.

    A Time and Place – Musical Meditations on the First World War will see them perform music from the period, as well as their own songs inspired by stories told to them first hand.

    “We’re looking at songs that would have existed in the common repertoire of the soldiers and have rewritten some of the stories from those who remember the war,” Lee explains.

    The musicians form part of an 11-strong line-up which includes a string quartet, brass and video design by Matthew J. Watkins, of Gorillaz fame.

    Mercury Prize-nominated Lee researched the project by visiting villages in Devon, Cornwall, Gloucester and Wiltshire, where he gathered songs and stories from local people.

    “There was a 104-year-old woman who remembered as a little girl seeing a Zeppelin come down in her back garden,” he recalls.

    “Another woman remembered meeting an old soldier who told this story about Bideford Bridge in Devon. The first time he crossed it was with all his comrades, but the second time he crossed over the bridge he was alone, as he was the only person to return to his village.”

    Lee and the Unthanks have been turning these and other stories into new songs using existing melodies from the era, as well as reinterpreting old songs to make them relevant to World War I.

    “A lot of the songs of that era were songs from the Boer War that had been rehashed, just as First World War songs were rehashed as songs for the Second World War. So it’s an ongoing recycling process that happens.”

    With the loss of an entire generation of young men came, according to Lee, the “silencing” of a nation.

    “Those were the people who were singing in the village pubs, they were the morris dancers, the storytellers, the great hope for carrying on the oral traditions of our culture and ancestral stories,” he explains.

    “What was left in their wake was that inability for communities to feel like they could continue these things in their absence, so the dancing stopped and the singing stopped, and a lot of the traditions kind of disappeared.”

    Lee is excited to be working with the Unthanks, who will be creating new music set to First World War poetry.

    “We’re really great friends but we’ve never done anything but sit in pubs and sing our hearts out with each other. Sometimes you can be best of friends but your voices don’t sound well together, but with the Unthanks there’s something really nice going.”

    A Time and Place: Musical Meditations on the First World War is at Barbican Hall, Silk Street, EC2Y 8DS on 18 September.

  • Sam Lee’s Campfire Club takes live music back to its roots

    Sam Lee of the Nest Collective (left, in shorts) stokes the passions of crowds at Campfire Club
    Sam Lee of the Nest Collective (left, in shorts) stokes the passions of crowds. Photograph: Eleonore de Bonneval

    The smell of fresh firewood burning is one of the most nostalgic smells for me. It instantly evokes my childhood, camping and fun. So when I heard that renowned folk music impresarios the Nest Collective, led by the Mercury Prize-nominated musician Sam Lee, had started a Campfire Club, it immediately captured my imagination and I made sure to join them at their next event.

    The Campfire Club is hosted by art and botany project Phytology in the Bethnal Green Nature Reserve throughout the summer. According to records, the location was a market and nursery gardens in medieval times, and in 1846 a church with active social functions was erected there before being totally destroyed in the Blitz. “The land was left dormant for 50 years and only just being used as a community space” explains Lee.

    The old Second World War bombsite now feels like a little gem hidden away in buzzing London. Lee points out that “as a species we’ve existed every night for thousands and hundred of thousands of years around a fire. It is only now that we don’t do that anymore. I think people see the romance in it and are connected in a way that we don’t get an opportunity to do.”

    On entering the nature reserve for the first time, I was invited to take a seat on the log benches of this intimate amphitheatre. Without amplification, the performers began to sing by the fire and their voices sounded timid. The sounds of the city seemed to override theirs: people talking in the street and cars passing with their horns sounding, constantly reminded me I was in East London.

    But as the sun set and the night came, I leaned closer to the fire, and listened better. The city seemed to have calmed down and the performers’ voices became more audible. By that point I was captivated by the music, mesmerised by the flickering flames and –  just as I was as a child –  enchanted by the smell of the wood smoke.

    Next Campfire Club with Bridie Jackson and the Arbour and Daniel Green Saturday 12 July at Phytology, Bethnal Green Nature Reserve, Middleton Street, Bethnal Green, E2 9RR

    www.thenestcollective.co.uk