Tag: Advertising feature

  • Enter a secret world at the Museum of London’s week-long Night Museum

    Enter a secret world at the Museum of London’s week-long Night Museum

    night-museum-620

    Enter the secret world of The Night Museum — an unmissable week-long exploration of the hidden, the illicit and the lost.

    Coinciding with Museums at Night, join us in and around the Museum of London for a free after-dark mini-season of late-night parties, ghost clubs, dark electronica, dystopian visions, lost sounds, night voices, drinking dens, walks into darkness and mythical creatures of the night.

    Events include the museum of lost sounds (29 October), the museum of dark places (2 November) and on 4 November, dress up to dance the night away and celebrate the history of nightclubbing in the museum of last parties.

    Book now – Only a few tickets left!

    The Night Museum
    Museum of London
    29 Oct – 4 Nov

  • Africa Utopia comes to the Southbank Centre 31 August – 4 September

    Africa Utopia comes to the Southbank Centre 31 August – 4 September

    The Mandela Trilogy - an "epic operatic tribute." Photograph: John Snelling
    The Mandela Trilogy – an “epic operatic tribute.” Photograph: John Snelling

    Africa Utopia presents talks, workshops, music, comedy and performances that celebrate the arts and culture of one of the world’s most dynamic and fast-changing continents.

    Featuring a full programme of talks and debates, Africa Utopia highlights the many ways in which the African continent is leading the way in thinking about culture, politics and the arts. A host of experts, entrepreneurs and activists come together as we discuss great innovations, people and progress across the continent and share ideas for positive change in Africa.

    Witness the return of Chineke! Orchestra, Britain’s first professional orchestra made up entirely of black and minority ethnic musicians, and discover the story of Nelson Mandela in Mandela Trilogy’s epic operatic tribute, presented in three parts by a cast of over 60 performers, including three different incarnations of Mandela.

    Members of the Chineke! Orchestra. Photograph: Eric Richmond
    Members of the Chineke! Orchestra. Photograph: Eric Richmond

    Other highlights include a live rooftop performance by desert rock band Terakaft, an evening of comedy from across the diaspora with Presidents of Laughrica, an exploration of social power dynamics in Expensive Sh*t and a delicious street food market.

    Bring the family along and get involved in events for all ages. Hear an African retelling of the fairytale Rapunzel, join author Sade Falipe on an ABC Adventure, search for treasure in Mary Ononokpono’s antiquities hunt or move and groove with your little ones in an Africa Utopia special edition of Pram Jam.

    Fuel up at the African Food and Drink Takeover and savour tastes from across the continent as Southbank Centre square is turned into a bustling street-food market, with over 35 vendors of authentic African cuisine.

    Plus, over half the events are completely free. Learn new moves in dance workshops, discover your new favourite dish in a live cook off, take a riverside tour of London’s African history or get involved in a part in a giant flash mob.

    Africa Utopia
    31 August – 4 September
    Southbank Centre
    Belvedere Rd,
    SE1 8XX

  • Win tickets to the greatest spectacle of Lucha Libre with a bar tab courtesy of Jose Cuervo

    Luche_Libre

    Jose Cuervo, the oldest and best-selling tequila brand in the world (founded in 1795), is giving one lucky Hackney Citizen and East End Review reader the chance to win two tickets to watch The Greatest Spectacle of Lucha Libre – Mexico’s iconic wrestling extravaganza on Friday 10 July.

    Starring the finest Mexican fighters, you will watch the electrifying show in a retro-style Mexican Arena at York Hall, Bethnal Green and also be treated to a £50 Jose Cuervo bar tab to spend on Jose Cuervo’s selection of feisty agave cocktails at the event.

    Please find further information on the event here: www.luchalibreworld.co.uk

    To be in with a chance of winning, just answer the following question:

    What year was Jose Cuervo tequila founded?

    A) 1808
    B) 1795
    C) 2005

    Please send your answer to editor@eastendreview.co.uk

    Terms and conditions

    – Prize includes 2 tickets to The Greatest Spectacle of Lucha Libre, taking place on Friday 10 July 2015, and £50 bar tab at Lucha Libre for Jose Cuervo cocktails

    – The Greatest Spectacle of Lucha Libre tickets will be collected by the competition winner at the event by providing their name for the guest list

    – Drinks can be claimed at the event. A bar tab will be set up in the competition winners name in order to claim the complimentary drinks

    – Name must be given by Thursday 9th July in order to receive prize

    – Prize non-transferrable

    Closing date: Thursday 9 July 2015

  • Zavier Ellis – Type One Zealotry at Cock ‘n’ Bull Gallery

    Details from The End of Days by Zavier Ellis
    Details from The End of Days by Zavier Ellis

    Whilst in recent years, the work of Zavier Ellis has been making waves within museum presentations across Europe and the United States, his first solo show in London for a decade proves a dark and testing exhibition, playing upon religious semiotics and the daily subconscious absorption of signs in the street.

    Hidden beneath the rambunctious bustle of Tramshed, Ellis’s takeover of the Cock ‘n’ Bull gallery provides a quiet purgatory to contemplate the nature of spirituality, insanity and the occult, and their place in our highly urbanised society.

    From the moment of entering the space, it’s hard to miss the darkly alluring, colossal canvas of The End of Days, that stares unabashedly from the furthest wall. Indeed, its presence is so overwhelming and intense that it seems to lord over the room with the sacrosanct conviction of a deity.

    Its emotional potency is in keeping with the graffitied collages that span the space alongside it. They sit like billboards of political leaders past, that have been faded and stripped away at by time to reveal the backdrop of the exposed, raw brickwork of the city. The pieces are littered with ancient iconography, and Ellis uses his work as a vessel to tap into the eternal arguments that art has always been used to question – where is the line between reality and insanity? How do we bridge the gap between the known and the unknown? And, with the more modern clash of religion and culture, how does our primitive need for mysticism fit in with our Western ideologies?

    As with Pollock or Rauschenberg, the physical act of painting is as important a part of viewing these pieces as the finished result as a whole, adding depth to the dialogue. Between the swoops and smears of paint you can almost tangibly feel Ellis at work. Textures are scratched, brushed, stripped, dripped and poured upon the canvases, each layer like a repeated mantra, creating a cacophony of intricate detail.

    Moving away from these frenetic and densely-filled pictures, Ellis’s soft, delicate, pencil portraits not only demonstrate his artistic diversity, but also seem to suggest a different narrative. Drawn on lined paper, as if torn from a child’s journal, their minimalism whispers of an innocence that makes you momentarily forget the dark subject matter of Mad Pope and Mad Nazi Priest, in the same way that giving a cute pet name to a snake can undermine the idea of danger it holds. They are a reminder of how the way something is delivered can alter the perception of the thing itself, and thus call into question the relationship between semiotics and reality.

    For the final element of the exhibition, Ellis has teamed up with restaurant owner, Mark Hix, to devise a Hix Lix dinner, designed to be an apocalyptic Last Supper, served in the underground gallery, surrounded by the installation. With a menu featuring the likes of ‘Holy F*****’ chicken hearts’ and ‘Wild Boar with Heaven and Earth’, and watched over by an ethereal Damien Hirst cow preserved in formaldehyde, the scene is perfectly set to be a multi-sensory feast to placate the Gods.

    Zavier Ellis, Type One Zealotry is at the Cock ‘n’ Bull Gallery, 32 Rivington Street, EC2A 3LX until 25 July.

  • Yvonne Rainer: Dance Works

    Yvonne Rainer dance performance at Raven Row
    Dancers perform an Yvonne Rainer dance work at Raven Row

    Dancer, choreographer, filmmaker and writer Yvonne Rainer (born 1934, lives in New York) is widely acknowledged as having played a key role in revolutionising post-war dance, inspiring generations of performers. In the sixties and early seventies, initially as part of the Judson Theater in New York (alongside Trisha Brown, Simone Forti and Steve Paxton), Rainer made dance works that were concerned with social and political form. Her choreography incorporated ‘ordinary’ movement and ‘neutral’ performance, rethinking the performer-audience relationship.

    This exhibition is the first to present live performances of Rainer’s dance works alongside other aspects of her practice: theoretical and lyrical writing, sketches and scores, photographs of performances, documentary and experimental films, and an audio recording of one of her early performative lectures. Together these convey a vivid picture of Rainer’s production from 1961 to 1972, and its proximity to the visual arts of the time, notably to minimalist sculpture.

    A highlight of the exhibition is a 45-minute dance programme performed four times daily. Dancers trained for the occasion by Rainer and her long-time collaborator Pat Catterson will perform her celebrated works Trio A (1966) and Chair Pillow (1969), as well as the UK premieres of the very rarely seen Talking Solo and Diagonal (both 1963).

    The exhibition is curated by Catherine Wood, Curator of Contemporary Art and Performance at Tate Modern, and made possible through the generous co-operation of the Getty Research Institute. The live performances are organised with Martin Hargreaves, Programme Leader at Trinity Laban Conservatoire.

    Due to limited audience capacity for the live performances, the exhibition will open for the first time on Friday 11 July at 11am.

    Yvonne Rainer: Dance Works is at Raven Row, 56 Artillery Lane, E1 7LS until 10 August 2014.

    +44 (0)20 7377 4300
    www.ravenrow.org

  • New hidden Dalston Tango hub

    Tango like a pro
    You can dance: learn the Argentine Tango at beginners’ classes in Dalston

    Tango is one of the world’s most sensuous dances – and among the most exciting. It’s also known as a social, inclusive dance, and Tango at the Light has done justice to the spirit of this with its beginners’ classes. You don’t have to bring a partner and there’s no need to feel nervous about getting the steps wrong.

    As the classes are aimed at newcomers to dance, you’ll learn the fundamentals of Argentine tango, from posture to step and connection. The lessons will give you an awareness of the music and will teach you to relax, have fun, make mistakes and learn from them. Above all, they will familiarise you with this, one of the world’s most exuberant and beautiful dances.

    Beginners’ Tango Classes Every Thursday Night @ Saint Barnabas’ Church Dalston

    Beginners’ Class 7 to 8pm, £10 (includes dancing until 11pm)
    Práctica (social dancing) 8 to 11pm, £5
    Student discount £5 per class (includes dancing until 11pm)

    First class is free.

    Visit www.tangothelight.com

     

  • Old Spitalfields to host Independent Label Market

    Independent Labels Market 620

    Dolan Bergin / Electric Minds

    Has your East London location played a part in the story of your label? Would your label be the same if you were based elsewhere?

    Very much so as until very recently I lived in East London for the last 10 years.  The label started shortly after a series of warehouse parties I produced in and around Dalston, Shoreditch some years back, so I think it was a reflection of the music that was being played at the time.

    How has the independent landscape changed in London since you started the label?

    When it comes to the parties / events / festivals so many people have set up their own independent version which I think is something that’s always happened in London.  There are so many different scenes that evolve so quickly that it’s part of London’s personality to have many independent parties and labels.

    Quinton Scott / Strut

    What do you think about the music scene in East London – has this had any impact on the kind of acts you sign?

    Strut started life in Shoreditch back in 1999 when it was a particularly influential hub for music – there was a very strong and varied music scene within the clubs and labels based there. The guys at Nuphonic Records were our landlords and their album projects with people like Faze Action and Femi Kuti complemented our early Afro and disco compilations. It was an inspiring time to be there during the heyday of the Blue Note and the 333 too.

    What kind of benefits do you see from taking part in the Market?

    Loads of benefits – it’s great to talk to customers face to face, it’s a lot of fun and it’s often one of the few times in the year we get to see some of the other labels and have a catch up. We also generally sell a lot each time we’re there. For me, it’s a really good barometer for the label overall. You get to compare your wares with the other stalls and get a good feeling for what you’re doing right and what you could be doing better.

    Dom Mentsh / Greco Roman 

    Has your East London location played a part in the story of your label? Would your label be the same if you were based elsewhere?

    We never were meant to be a label just a party, and our first ever one was in Belfast Road in Stoke Newington – so I suppose in that way it the East has played a massive role. The label has been until that last 6 months located between East London and Berlin. 

    What would you recommend for people wanting to start their own label?

    Enjoy the process, it’s much more complicated than you imagine. We have learned so much and continue to do so.

    Adrian Hughes / !K7

    How has the independent landscape changed in London since you started the label?

    Over the last ten to fifteen years the London landscape has changed dramatically. Independent distributors and record shops have closed left right and centre and the internet has been the primary reason behind this as people can get whatever music in whatever format they want at the touch of a button. From a clubbing perspective I think it’s fair to say that there are far less medium size and large branded clubs programming quality line-ups (The Cross, Turnmills, The Key, Cable and many others have all closed). These have been replaced by promoters working in different non-fixed locations – primarily East London warehouses. 

    What kind of benefits do you see from taking part in the Market?

    We get to catch up with friends in the business and get a snapshot of the whole independent sector under one roof.  It’s also great to roam around all the stalls and be inspired by the creativity and incredible range of music being represented.  There is a real feeling of unity in the air throughout the whole day and plenty of opportunity to swap records!

    Leo Belchetz / Fabric & Houndstoouth 

    Has your East London location played a part in the story of your label? Would your label be the same if you were based elsewhere?

    The mixes we release on the fabric label are representative of the music played at the club, so whilst the music comes from a huge range of international artists, it is rooted in what has been going on underneath the streets of Farringdon every weekend for almost 15 years…

    What would you recommend for people wanting to start their own label?

    Be prepared to work hard and play hard! You have to be an expert at a million things – it’s as much sales spreadsheets and marketing meetings as it is late nights and backstage passes!

    Tom King / No Pain in Pop

    What do you think about the music scene in East London – has this had any impact on the kind of acts you sign?!

    It definitely has – we often book acts for shows before we sign them, or get recommendations/introductions to friends of friends etc. –  but I enjoy working more with artists who create their own personal world through their music than with those who fit in stylistically or geographically with other acts. Having said that, nothing beats being able to hit the red wine with someone who lives 10 minutes walk away and you’re working with.

    Bullion / Deek

    The Independent Label Market at Spitalfields seems to keep growing – what is it about independent labels that makes people so loyal?

    I imagine it’s just a bit closer to the ground people actually walk on. People know there’s a slightly stronger chance they’ll get something interesting to hear through an independent.

    Saturday, 12 July 2014, 11:00am – 6pm, Free Entrance, Old Spitalfields Market, 16 Horner Square, Spitalfields, E1 6EW

    www.independentlabelmarket.com
    www.oldspitalfieldsmarket.com/events
    www.facebook.com/oldspitalfieldsmarket
    @oldspitalfields