Tag: David George

  • Snap happy for Photomonth – UK’s largest photography festival returns

    Snap happy for Photomonth – UK’s largest photography festival returns

    Thames Estuary. Photograph: Simon Fowler
    The Thames Estuary. Photograph: Simon Fowler. Part of After London at Cass Bank Gallery

    As an area famously teeming with artists East London has always been an eminently suitable location for Photomonth. In October the UK’s largest photography festival returns, with some 100 galleries and art spaces opening their doors for free exhibitions, workshops and talks covering a colossal range of topics, from the Battle of Cable Street to homelessness and the refugee crisis. Here is our – by no means exhaustive – guide to the festivities ahead.

    From Children of Vision series by Alina Kisina. Part of The Disinherited exhibition
    From Children of Vision series by Alina Kisina. Part of The Disinherited at The Print Space gallery

    The Disinherited

    Photomonth launches with The Disinherited, featuring specially commissioned work by three photographers. For her series Children of Vision, Alina Kisina took portraits of pupils at a special art school in Kiev for the blind and partially sighted to illustrate how creativity can transform lives. Heather McDonough’s Leave to Remain series is inspired by a period she spent volunteering in French refugee camps and her encounters not only with the people there but also with objects left lying spent and discarded. Big Red is Ed Thompson’s visual essay on homelessness, inspired by the story of a man who turned his back on London life in favour of a nomadic existence in his Big Red van.

    Until 17 October, The Print Space Gallery, 74 Kingsland Road, E2 8DL
    theprintspace.co.uk

    Photographer Karen Harvey, set to feature in Girl Town. Photograph: Karen Harvey
    Photographer Karen Harvey, set to feature in Girl Town at St Margaret’s House. Photograph: Karen Harvey

    Girl Town

    Celebrating the “culture of the female” in the 21st century, Girl Club is an exhibition anyone – professional or amateur – can submit work for, using the hashtag #girltownPM on Instagram. Talks, including one on photojournalist Jane Bown, as well as film screenings are also in the offing over the course of the month.

    6 October – 1 November, St Margaret’s House, 21 Old Ford Road, Bethnal Green, E2 9PL
    stmargaretshouse.org.uk

    The Battle of Cable Street. Photograph: Tower Hamlets History Library
    ‘They Shall Not Pass’: East Londoners at the Battle of Cable Street in October 1936. Photograph: Tower Hamlets History Library

    80th Anniversary of the Battle of Cable Street

    On 4 October 1936 East Londoners came together to stop Oswald Mosley and his fascist ‘Blackshirts’ from marching through Cable Street in Stepney, then a predominantly Jewish area. 80 years on and the Cable Street Group is to hold an exhibition of photographs of the Battle of Cable Street, alongside other memorabilia and events to remember this important moment in East End history.

    Until 18 October, Idea Store Watney Street, 260 Commercial Road, E1 2FB
    ideastore.co.uk

    An image from Dalston Carnival, which features in Dalston Street Show. Photograph: Tom Ferrie
    An image from Dalston Carnival, which features in Dalston Street Show. Photograph: Tom Ferrie

    Dalston Street Show

    Images of the many faces of Dalston – its people, streets and buildings – will adorn shop windows, restaurants, bars, cafés and Dalston venues this month. Featuring an array work by local photographers such as Dougie Wallace, the Dalston Street Show opens on 14 October in Dalston Square with an event that will see a giant inflatable screen display images from the show with a musical accompaniment from Band Off the Wall.

    14 October–14 November, Kingsland High Street, Dalston Lane, Dalston Square, Ashwin Street, Ridley Road, Bradbury Street, Gillett Square

    An image from After London. Photograph: David George
    Thames Estuary, from After London exhibition at Cass Bank Gallery. Photograph: David George

    After London

    Essex-based artist Simon Fowler has created an intimate portrait of the Thames Estuary in an exhibition that coincides with the publication of Estuary: Out from London to the Sea by East London writer Rachel Lichtenstein. Another strand of the exhibition is Estuary English by David George, whose own photographic exploration of the Thames Estuary focuses on the region’s gothic associations.

    Until 15 October, Cass Bank Gallery, 59-63 Whitechapel High Street, E1 7PF
    londonmet.ac.uk/thecass

    Best of the rest

    Territorial – 20 October–20 November, Bank Space Gallery, The Cass, 59-63 Whitechapel High Street
    Showcasing the work of six contemporary photographic practitioners whose work is concerned with concepts of human geography, identity and territory.

    Domestic Disorder – Until 5 November, Idea Store Canary Wharf
    Images by Sian Bonnell that challenge ideas of the ordered domestic life.

    Uncertain States – 4 November – 27 November, Mile End Arts Pavilion, Grove Road
    Fifty artists present a selection of contemporary and thought provoking photography in annual exhibition.

    The Transaction – Until 13 October, Canvas Café, 42 Hanbury Street
    Exhibition about people in India who work in public spaces. Artist Kathryn Geels tasked herself with one job: to get them to smile for the camera.

    Lived Brutalism: Portraits at Robin Hood Gardens – 3 October–21 October, St Matthias Community Centre, 113 Poplar High Street
    Photographs recording the lives of residents at Robin Hood Gardens the ‘streets in the sky’ development currently facing demolition.

  • Uncertain States exhibition at Bank Gallery

    Detail from Ten Ways To Kill Yourself by Charlie Fjätström
    Detail from Ten Ways To Kill Yourself by Charlie Fjätström

    Community, collaboration and a real passion for photography is how David George and Fiona Yaron-Field describe the ethos at Uncertain States, the artist cooperative they co-founded with fellow photographer Spencer Rowell in 2009.
    
    Through exhibitions, talks and a quarterly broadsheet, the group aims to nurture critical dialogue on photography and promote work that reflects key social and political concerns.

    Available in galleries and museums across the UK, the Uncertain States broadsheet presents work by lens-based artists looking for an alternative platform to show their images outside of the commercial gallery system.

    “The photography scene here is incredibly rich but I think underrepresented by the big institutions like the Photographers’ Gallery,” George says. “The newspaper isn’t glossy, there are no ads and it’s not for profit and that’s been really important in enabling us to show the type of work we’ve wanted to show. Above all it’s about the dissemination of ideas.”

    Now Uncertain States is celebrating its fourth year with an exhibition at the Bank Gallery in Whitechapel showcasing works by 28 photographers who have contributed to the broadsheet.

    It includes works from photographer Tom Hunter’s Life and Death in Hackney (2000), a series of melancholic images loosely based on Pre-Raphaelite paintings which depict the lives of travellers in the post-industrial landscape of the Lea Valley in the East End.

    Photographer John Goto’s portraits of young people taken at Friday night dances at Lewisham Youth Centre in 1977 are also featured. Named after the musical sub-genre that emerged from the South London reggae scene in the 1970s, Goto’s series Lovers’ Rock initially met with little interest from potential exhibitors but has recently been praised for offering a counter-narrative to the dominant image of black youth at the time.

    Uncertain States co-founder Fiona Yaron-Field is well aware of the problems artists can face in getting works featuring particular subject matters exhibited in commercial galleries.

    She recalls being told that her body of work based on her experiences raising a child with Down’s syndrome was not ‘sexy’ enough for the gallery space. Her portraits of pregnant women carrying children with Down’s syndrome entitled Safe Haven are also on show at the Bank Gallery.

    “Uncertain States is really a nomadic thing, a network to support photographic practice,” Yaron-Field explains, adding that the cooperative also holds free talks with photographers and  filmmakers on the first Tuesday of every month upstairs at the Cat & Mutton on Broadway Market in Hackney.

    Uncertain States is at Bank Gallery E1 7PF from 8-30 November