Tag: Dougie Wallace

  • Snap happy for Photomonth – UK’s largest photography festival returns

    Snap happy for Photomonth – UK’s largest photography festival returns

    Thames Estuary. Photograph: Simon Fowler
    The Thames Estuary. Photograph: Simon Fowler. Part of After London at Cass Bank Gallery

    As an area famously teeming with artists East London has always been an eminently suitable location for Photomonth. In October the UK’s largest photography festival returns, with some 100 galleries and art spaces opening their doors for free exhibitions, workshops and talks covering a colossal range of topics, from the Battle of Cable Street to homelessness and the refugee crisis. Here is our – by no means exhaustive – guide to the festivities ahead.

    From Children of Vision series by Alina Kisina. Part of The Disinherited exhibition
    From Children of Vision series by Alina Kisina. Part of The Disinherited at The Print Space gallery

    The Disinherited

    Photomonth launches with The Disinherited, featuring specially commissioned work by three photographers. For her series Children of Vision, Alina Kisina took portraits of pupils at a special art school in Kiev for the blind and partially sighted to illustrate how creativity can transform lives. Heather McDonough’s Leave to Remain series is inspired by a period she spent volunteering in French refugee camps and her encounters not only with the people there but also with objects left lying spent and discarded. Big Red is Ed Thompson’s visual essay on homelessness, inspired by the story of a man who turned his back on London life in favour of a nomadic existence in his Big Red van.

    Until 17 October, The Print Space Gallery, 74 Kingsland Road, E2 8DL
    theprintspace.co.uk

    Photographer Karen Harvey, set to feature in Girl Town. Photograph: Karen Harvey
    Photographer Karen Harvey, set to feature in Girl Town at St Margaret’s House. Photograph: Karen Harvey

    Girl Town

    Celebrating the “culture of the female” in the 21st century, Girl Club is an exhibition anyone – professional or amateur – can submit work for, using the hashtag #girltownPM on Instagram. Talks, including one on photojournalist Jane Bown, as well as film screenings are also in the offing over the course of the month.

    6 October – 1 November, St Margaret’s House, 21 Old Ford Road, Bethnal Green, E2 9PL
    stmargaretshouse.org.uk

    The Battle of Cable Street. Photograph: Tower Hamlets History Library
    ‘They Shall Not Pass’: East Londoners at the Battle of Cable Street in October 1936. Photograph: Tower Hamlets History Library

    80th Anniversary of the Battle of Cable Street

    On 4 October 1936 East Londoners came together to stop Oswald Mosley and his fascist ‘Blackshirts’ from marching through Cable Street in Stepney, then a predominantly Jewish area. 80 years on and the Cable Street Group is to hold an exhibition of photographs of the Battle of Cable Street, alongside other memorabilia and events to remember this important moment in East End history.

    Until 18 October, Idea Store Watney Street, 260 Commercial Road, E1 2FB
    ideastore.co.uk

    An image from Dalston Carnival, which features in Dalston Street Show. Photograph: Tom Ferrie
    An image from Dalston Carnival, which features in Dalston Street Show. Photograph: Tom Ferrie

    Dalston Street Show

    Images of the many faces of Dalston – its people, streets and buildings – will adorn shop windows, restaurants, bars, cafés and Dalston venues this month. Featuring an array work by local photographers such as Dougie Wallace, the Dalston Street Show opens on 14 October in Dalston Square with an event that will see a giant inflatable screen display images from the show with a musical accompaniment from Band Off the Wall.

    14 October–14 November, Kingsland High Street, Dalston Lane, Dalston Square, Ashwin Street, Ridley Road, Bradbury Street, Gillett Square

    An image from After London. Photograph: David George
    Thames Estuary, from After London exhibition at Cass Bank Gallery. Photograph: David George

    After London

    Essex-based artist Simon Fowler has created an intimate portrait of the Thames Estuary in an exhibition that coincides with the publication of Estuary: Out from London to the Sea by East London writer Rachel Lichtenstein. Another strand of the exhibition is Estuary English by David George, whose own photographic exploration of the Thames Estuary focuses on the region’s gothic associations.

    Until 15 October, Cass Bank Gallery, 59-63 Whitechapel High Street, E1 7PF
    londonmet.ac.uk/thecass

    Best of the rest

    Territorial – 20 October–20 November, Bank Space Gallery, The Cass, 59-63 Whitechapel High Street
    Showcasing the work of six contemporary photographic practitioners whose work is concerned with concepts of human geography, identity and territory.

    Domestic Disorder – Until 5 November, Idea Store Canary Wharf
    Images by Sian Bonnell that challenge ideas of the ordered domestic life.

    Uncertain States – 4 November – 27 November, Mile End Arts Pavilion, Grove Road
    Fifty artists present a selection of contemporary and thought provoking photography in annual exhibition.

    The Transaction – Until 13 October, Canvas Café, 42 Hanbury Street
    Exhibition about people in India who work in public spaces. Artist Kathryn Geels tasked herself with one job: to get them to smile for the camera.

    Lived Brutalism: Portraits at Robin Hood Gardens – 3 October–21 October, St Matthias Community Centre, 113 Poplar High Street
    Photographs recording the lives of residents at Robin Hood Gardens the ‘streets in the sky’ development currently facing demolition.

  • Va-va zoom! Photomonth is upon us once more

    Living in Exile by Matthew Aslett. Part of F8 Collective, Hive Dalston
    Living in Exile by Matthew Aslett. Part of F8 Collective launch, until 18 October at Hive Dalston

    With more than 100 Photomonth exhibitions to take in over October and November, and at least 500 contributing artists, it is understandably difficult to know exactly where to focus one’s gaze.

    The state of London today is a common theme among work presented this year. For his satirical series Harrodsburg, Glaswegian Dougie Wallace ventured into West London, where he papped the mega rich out shopping in what he calls a “story of glut, greed and the widening wealth gap”.

    Harrodsburg by Dougie Wallace. Printspace
    Harrodsburg by Dougie Wallace. Until 19 October at theprintspace

    Portraits of a different kind line the walls of one East End institution. Seven photographers have snapped the tourists, shoppers, revellers and stressed out office workers who frequent Brick Lane Beigel Bake, with the results on display there this month.

    6AM by Jonathan Goldberg, Twentyfour7 at Beigel Bake
    6am by Jonathan Goldberg part of Twentyfour7 exhibition. Until 22 November at Brick Lane Beigel Bake

    The future of East London in the face of luxury blocks of flats and rising living costs is of concern to Hackney Wick resident Ansell Cizic. In The Wick and Beyond, he records those artists whose very presence in the East has helped it become an attractive proposition for property developers.

    Ansell Cizic - The Wick and Beyond – 620
    Venice Mob from East End, by Ansell Cizic. The Wick and Beyond until 1 November at Well Hung Gallery

    Jerwood Drawing Prize nominee Pete Burke takes a more voyeuristic look at what the future holds. Glimpsing the Future is a series of photographs taken through building site peepholes in Hackney, which he is displaying alongside drawings that act as a route between them.

    Pete Burke – Dalston Junction – Glimpsing the Future – Dalston Eastern Curve Garden 620
    Dalston Junction by Pete Burke, part of Glimpsing the Future, until 1 November

    Not all the exhibitions are about the here and now. Syd Shelton’s photographs of the 1970s Rock Against Racism movement capture an intriguing political period in which musicians and political activists confronted racist ideology on the streets and in parks.

    Syd Shelton – Rock Against Racism – Autograph ABP 620
    Photograph by Syd Shelton, part of Rock Against Racism, until 5 December at Autograph ABP

    Global issues come to the fore with Africa’s Last Colony, which remembers conflict in Western Sahara 40 years ago with never before seen images by UK-based photographers , while Kites from Kabul, a series of photographs of kite flying sights around Kabul and Bamiyan, provides an insight into the lives of children living in war-torn Afghanistan. (12)

    people in exile 01 Nurses going to work to Dahkla hospital at the Saharawi refugee camps of Tindouf, Argelia.photo quintina valero
    Quintana Valero, Africa’s Last Colony: 40 Years Not Forgotten, until 28 October at Hundred Years Gallery
    Andrew Quilty - Oculi –Kites from Kabul – V&A Museum of Childhood 620A young kite flier late in the afternoon on a Friday on the hill home to the tomb of Nader Khan Tomb - a popular place for kite flying - in Kabul.
    Oculi by Andrew Quilty, part of Kites from Kabul, until 3 January at the V&A Museum of Childhood

    As usual for Photomonth, there’s a staggering breadth of work on display, with subjects that push boundaries and defy categorisation. Zoo Logic by David O’Shaughnessy looks at captivity through photographs of the environments in which zoo animals are presented to the public, and Piotr Karpinski’s photographs of people doing strange things in morgues and graveyards view life and death with humour and originality.

    David O'Shaughnessy - Cercopithecus wolfi – Zoo Logical –Stour Space 620
    Cercopithecus Wolfi by David O’Shaughnessy, part of Zoo Logic. Until at Stour Space

     

    Piotr Karpinski - Old Woman with Narcissus (Let's Talk about Life & Death Darling – St James the Great 620
    Old Woman with Narcissus by Piotr Karpinski, Let’s Talk about Life & Death Darling from 1–30 November at St James the Great Church

    Deciding where to go is perhaps the main drawback to Photomonth, but with the standards of exhibitions seemingly ever rising there’s a fair chance that whatever you choose will be a winner.