Tag: film festival

  • Kinoteka Film Festival set to showcase best of Polish film history

    Kinoteka Film Festival set to showcase best of Polish film history

    Letting the side down: Polish film director Jerzy Skolimowski, whose films feature at this month's Kinoteka Polish Film Festival
    Letting the side down: Polish film director Jerzy Skolimowski, whose films feature at this month’s Kinoteka Polish Film Festival

    The Kinoteka Film Festival gets underway this month, with East London venues set to screen work by some of Poland’s most renowned filmmakers.

    A retrospective of the films of Jerzy Skolimowski will be held at the Barbican.

    Skolimowski is a maverick filmmaker who has worked as a director, writer and actor for over 50 years, and is regarded as one of Polish cinema’s most iconic figures.

    For the opening gala on 7 April, Skolimowski will be there in person to introduce his new film 11 Minutes, which focuses on 11 minutes in the lives of a variety of characters whose paths cross as they race towards an unexpected finale.

    The film, described as an “inventive metaphor for our modern hectic lives driven by blind chance”, will be followed by an onstage question and answer session with the director.

    Over the month the Barbican will be showing more films from Skolimowski’s extensive back catalogue, including rarely screened titles such as 1960s psychological drama Barrier (with an introduction by Skolimowski), Deep End, a comedy-drama about obsession, and the 1982 film Moonlighting starring Jeremy Irons, which was awarded Best Screenplay at the Cannes Film Festival.

    The Shoreditch-based Close-Up Cinema will be hosting festival films too, as part of their Masters of Polish Cinema season. These include a screening of Skolimowski’s loose trilogy featuring his on-screen alter ego Andrzej Leszczyc: the films Identification Marks: None, Walkover and Hands Up!

    The boutique cinema is also planning to show three early psychological thrillers by Roman Polanski: his Skolimowski-scripted debut Knife in the Water; the controversial, mind-bending exploration of psychosis, Repulsion; and the paranoiac ménage-à-trois Cul-de-sac.

    Then later in the month the cinema will show Pawel Pawlikowski’s debut feature, Ida, the Oscar-winning film that delves through 20th century Polish history, scripted by East London resident Rebecca Lenkiewicz.

    closeupfilmcentre.com
    barbican.org.uk

  • Docs around the clock – Cheap Cuts Documentary Film Festival preview

    Docs around the clock – Cheap Cuts Documentary Film Festival preview

    Vera Hems Anderson and Natailia Garay, founders of the Cheap Cuts Documentary Film Festival. Photograph: Cheap Cuts
    Vera Hems Anderson and Natailia Garay, founders of the Cheap Cuts Documentary Film Festival. Photograph: Cheap Cuts

    Hackney director Asif Kapadia may have won an Oscar for his film about Amy Winehouse, but budding documentary makers from East London and beyond continue to have a difficult time making work and getting it shown.

    Documentary can be an unnecessarily inaccessible medium, according to filmmakers Vera Hems Anderson and Natalia Garay, which is why they together founded Cheap Cuts Documentary Film Festival.

    The volunteer-run festival, which takes place over the weekend of 2–3 April at Hundred Years Gallery, is for films under 30 minutes long made without a huge budget or the backing of a production company.

    Filmmakers submitted their work for free (which is increasingly rare these days) with a total of 1,400 submissions received for the fledgling festival.

    “Our aim is to make documentary accessible to people for all walks of life. We think too many film screenings and festivals have become exclusive events and this is both unfair and unproductive,” Anderson says.

    “Film can be an extremely inaccessible medium and financially the film industry is one of the most unforgiving around. Film schools remain out of reach for most young people, obtaining the latest equipment is not cheap and even cinema trips are now a luxury outing.”

    The open doors submissions policy meant Cheap Cuts received a diverse range of documentaries, some by unknown filmmakers from countries such as Syria, Mexico and Iran, as well as home grown practitioners from East London and elsewhere in the UK.

    “We strongly believe in content over form and are interested in the stories filmmakers have to tell and not the equipment or budget used to do so,” Anderson adds.

    In keeping with the festival ethos of inclusivity, screenings are free to attend, with the weekend itinerary also including workshops and at least one masterclass with a renowned documentary maker.

    Cheap Cuts Documentary Film Festival
    2-3 April
    Hundred Years Gallery, 13 Pearson Street, E2 8JD