Tag: Gabriel Dorey

  • Influx documentary paints poignant portrait of Italians in London

    Influx documentary paints poignant portrait of Italians in London

    Influx
    Luca Vullo, director of Italian immigration documentary, Influx

    At a time when the subject of immigration is at the forefront of the national debate, this new documentary by East London-based director Luca Vullo couldn’t be more vital as an exposé of the individual characters behind the statistics. Moreover, more than an hour spent listening to such a beautiful language as Italian is rarely time wasted.

    Rather than forcing an opinion on the viewer and delving into the ugliness of politics, Influx lets the people do the talking. From pensioners, young people, business executives to those on the street, a broad range of talking heads offer their personal perspectives.

    They relate both the boons and foibles of the Italian people – one of London’s largest demographics – and deliver a wonderfully even-handed end product.

    Many Mediterranean countries are in the stranglehold of economic turmoil and stratospheric youth unemployment. As more and more people leave Italy in search of a better life, Vullo’s documentary focuses chiefly on two poignant issues – the existential anxiety of seeing one’s country fail its young people and lose its best and brightest in an increasingly globalised world; and the tribulations of those who venture from their homeland to a strange new city.

    We are privy to the emotional challenges faced by Italians of all ages and backgrounds, whether it be coping with excessive bureaucracy, surviving the feelings of isolation and anxiety, or learning the mores of a more germanic, punctilious nation than theirs.

    Nearly all interviewees miss their mother country, and deplore the conditions which have lead to their exodus. But as one says, if Italy is the mother country then Britain is the adoptive mother, and the dynamism, tolerance and opportunities to be found in the UK are roundly praised.

    The suggestion is that where Italy’s “Byzantine” bureaucracy and stagnant economy fail the ambitious and the inspired, London succeeds in fostering their talents. And as Italian entrepreneurs, chefs, artists, politicians and charity workers participate in our society, clearly it is only their nation’s loss.

    Most importantly, Vullo’s documentary relates the sense of identity, hopes and fears, and aspirations of people from one of the world’s ancient and rich cultures in the modern world, and displays superbly our shared experience in the global city of London.

    influxlondon.com

  • Kenny Morgan, Arcola theatre, review: ‘a worthy tribute’

    Photo by Idil Sukan/Draw HQ
    Paul Keating (Kenny) Pierro Niel-Mee (Alec) in Kenny Morgan at the Arcola Theatre. Photogaph: Idil Sukan

    A young man, lying inert beside his gas stove following a botched suicide attempt, is the dismal opening sight to this play by Mike Poulton. The young man is Kenny Morgan, a one time rising star in British cinema and for a period the lover of Terence Rattigan. The past decade has seen his acting success and affair with the celebrated mid-century playwright flourish, then fall apart.

    Kenny is conflicted and vulnerable, torn between two romantic recourses: Terence, played by Simon Dutton, who is passionate for Kenny but as a celebrity must keep him hidden from the public eye; and Kenny’s flatmate Alec Lennox (Pierro Niel-Mee), a bisexual fellow actor whose devil-may-care attitude exudes boyish charm and a capacity for heedless cruelty. As Kenny’s career hits the rocks, he faces the choice – to be Terence’s concubine or fall prey to Alec’s caprice. The question is can the people around Kenny (his well-meaning neighbour Dafydd Lloyd or the rationalist ex-doctor Mr Ritter) convince him that life is worth living?

    Kenny’s problems are compounded by the times, for in this post-war era suicide and homosexuality were criminal acts. The play does a stellar job of conveying the social mores and emotional reticence of 1940s Britain, warts and all. We are privy to moments of prejudice, such as Alec’s grotesque impersonation of a Jew. Despite this, the play is very funny, and there is black humour, buffoonery and sly digs at the audience throughout. Marlene Sidaway in particular is a delight as the fussy, chastising landlady Mrs Simpson.

    Set in Kenny’s shabby Camden flat, strong performances from the cast and a neat, uncomplicated plot make the two hours plus whiz by. The events which unfold supposedly inspired Rattigan’s greatest play, The Deep Blue Sea. However, this is not primarily about the playwright’s tryst with Kenny Morgan – it is a detailed expose on a sensitive, isolated young man’s grounds for killing himself. Mike Poulton’s play displays all the fragility, savagery and capacity for good in human nature, and is a worthy tribute to Kenny’s tragic fate.

    Kenny Morgan is at the Arcola Theatre, 24 Ashwin Street, E8 3DL until 18 June
    arcolatheatre.com