Tag: Rift

  • Shakespeare in Shoreditch festival launches

    Shakespeare mash up:  Titus Andronicus
    Shakespeare mash up: Nic Lamont in The Best Pies in London

    Writing out of a purpose built shed outside the Rose Lipman Building in De Beauvoir Town, playwright Annie Jenkins has been challenged to write 1000 plays in just ten days.

    As part of the Shakespeare in Shoreditch festival, Jenkins will be welcoming people to drop by and share their stories and ideas, which she will turn into new dramatic works at a prolific rate.

    Originally from Seven Sisters, Jenkins is more than a little daunted by the task ahead. “It’s the scariest thing I’ve ever done,” she confesses. “But that environment comes very naturally to me.”

    Jenkins’ shed is just one of the attractions that comprise Shakespeare in Shoreditch, celebrating East London’s part in the life of the world’s greatest playwright on his 450th birthday.

    Festival producer Francesca Duncan argues that “the South Bank has the Globe, and Stratford-upon-Avon has the RSC, so what about Shoreditch?”

    Thanks to recent archaeological discoveries, Shoreditch is now regarded as London’s first theatreland, a place where actors, poets and playwrights lived and worked during the golden age of poetry.

    Playwrights Christopher Marlowe and Thomas Kyd roomed together just off Bishopsgate, Ben Jonson fought a duel killing a fellow actor in Hoxton Fields and Shakespeare premiered some of his best loved works including Romeo and Juliet at the Curtain theatre, commemorated on Hewett Street.

    The festival aims to re-connect Shakespeare’s vibrant Renaissance London with the contemporary area through promenade performances of newly commissioned work, playwriting workshops and salons with Shakespearean scholars.

    Felix Mortimer and Joshua Nawras, the festival’s creators, drew their inspiration from the Bard’s character names which adorn streets and tower blocks around Hoxton. Regan Way, Caliban Tower and Rosalind House are now the starting point for a new crop of writers, commissioned to reinterpret those same characters.

    Ten new plays, including a new piece by Rebecca Lenkiewicz whose play The Painter marked the opening of the Arcola’s new premises, will be presented in venues dotted along routes through Hoxton and Shoreditch.

    In preparation for her Titus Andronicus-inspired monologue, actor Nic Lamont even worked a shift at F. Cooke’s pie and mash shop on Hoxton Street, where The Best Pies in London will be performed.

    Jenkins says the wonderful thing about Shakespeare’s work is that it can be re-interpreted and re-imagined and still have relevance for a contemporary audience, and that “the plays are so universally applicable that everyone can engage with them”. Which is just what the festival sets out to prove to new audiences in Shakespeare’s old stomping ground.

    Shakespeare in Shoreditch Festival is at venues across Shoreditch until 12 October. See website for more details.

     

     

  • All night Macbeth to be staged in East London

    Rift's Macbeth: so foul and fair a play you might never have seen. Photograph: Camilla Greenwell
    Rift’s Macbeth: so foul and fair a play you might never have seen. Photograph: Camilla Greenwell

    Sleepovers can be dark, scary, sexy, curious: Rift’s Macbeth promises to be all this and more.

    Following the success of last year’s The Trial, enacted across Hoxton by this pint-sized, innovative theatre company, the outfit returns with Shakespeare’s timeless tragedy –  witches, conspiracy and murder being the perfect bedfellows for a midsummer’s eve.

    Fiery, sinister and timelessly eerie, Macbeth is a good choice for Rift to take on – their track record of producing immediate, stomach-churning theatre stands them in good stead to put on a knock-out show.

    This overnight production, staged in a ‘brutalist architectural masterpiece’ in East London until August, comes at a moment when immersive theatre is on everyone’s lips. Headed up by Felix Mortimer and Joshua Nawras, Rift – whose previous works include The Wall and O Brave New World – can be counted alongside Punchdrunk and Secret Cinema for pioneering an intensely interactive form of performance that places the audience at the centre of the action.

    Director Felix Mortimer says: “Macbeth will push the boundaries of form, experimenting with dreams and the subconscious. The audience will be taken in groups to the location, the action unfolding around them: they will be a part of it. This is an exciting stage in our development.”

    Macbeth promises its audience a thrilling night of intrigue and drama to awaken the imagination, and perhaps scare you silly. The play’s characters will visit the gathered crowd in the night, enacting the chilling events surrounding Duncan’s murder and finally waking you at dawn for the final act. ‘Macbeth seen from the inside out’ will be a feast for the senses, heightened by the dark and the outdoors; stepping inside the Scottish scourge, you will come “face-to-face with witches … feasting with the Macbeths … as a siege rages around you”. This may be the most outrageous invitation to bed you’ve ever received.

    Steel your nerves and take your place in the hallowed halls of this yet unknown location out east for a long night of toil and trouble.

    Macbeth will be at a secret East London location until August.

    www.macbeth.in