Tag: Waiting For Godot

  • Waiting for Godot review – ‘not total tomfoolery’

    Totally Tom duo
    Comedy duo Totally Tom star as Vladimir and Estragon in Waiting for Godot

    “Nothing is funnier than unhappiness” wrote Samuel Beckett in his play, Endgame. It is apt, then, that in the Arcola Theatre’s bold new production of his famous masterpiece Waiting for Godot, the vagrants are played by stand-up comedy duo Totally Tom.

    The Samuel Beckett estate is notoriously strict on the direction of his plays. Ex-Eton master and director Simon Dormandy’s casting of his former pupils, who swap bowler hats for baseball caps in the lead roles of Vladimir and Estragon, has created a few ripples of surprise.

    The youth of Totally Tom might irk the purists –  but they give new life to a play perhaps otherwise fated to a future as the unyielding subject of undergraduate dissertations. Playing Vladimir, Tom Palmer channels a Soho video editor with his bike satchel and scuffed Nikes while his gangly companion Estragon (Tom Stourton) has the air of a morose Irish barman – the kind you might find working in a Dalston dive.

    Their clothes might be updated but Didi and Gogo’s predicament remains unchanged. They turn up to their barren spot, a background of rubble and puddles artfully designed by Patrick Kinmouth, every day to wait for their appointment with Mr Godot. The waiting is still agony, as Didi says: “Nothing happens. Nobody comes, nobody goes. It’s awful.”

    Their wretched impasse is punctuated by the arrival of Pozzo (Jonathan Oliver) – a whip-wielding egocentric who has an elderly man, Lucky (Michael Roberts) tied to a rope. Oliver’s Pozzo is an East End geezer with a leather pork-pie hat, rings and tattoos but he is rather out-shined by the dexterity of his slave. Commanded to ‘think!’ on demand, Roberts produces a torrent of gibberish both disturbing and entertaining, when commanded to ‘dance!’ he performs a shuffling and strangely affecting flamenco routine.

    Totally Tom shift the emphasis of Beckett’s literary anti-heroes, giving them a sense of optimism that only makes the disappointment of Godot’s absence more intense. The jokes are not total tomfoolery but palliatives, desperate attempts to conceal the horror of waking up to a life without meaning.

    Perhaps it is the agonisingly slow passage of time that means Didi and Gogo have been seen traditionally as middle-aged rather than young men. Dormandy’s Godot suggests that today it is the tracksuits not the suits that wait in limbo. Get a ticket, what are you waiting for?

    Waiting for Godot is at the Arcola Theatre, 24 Ashwin Street, E8 3DL until 14 June.

  • Waiting for Godot to get modern makeover for Arcola production

    Waiting for Godot
    Waiting for Godot: Tom Stourton as Estragon and Tom Palmer as Vladimir. Photograph: Chloë Wicks

    Citizens, the wait is over. Waiting For Godot, by common consent one of the most significant English language plays to emerge from the twentieth century, is coming to a theatre near you as the Arcola prepares to raise the curtains on Beckett’s absurdist masterpiece.

    Traditionally casting older actors in the lead roles of Vladimir and Estragon, this performance will see comedy duo Totally Tom – which you may recognise from viral YouTube hit High Renaissance Man – take up the mantle, in a move aimed at turning traditional treatment of the text on its head and engaging a broader audience.

    The Hackney Citizen caught up with director Simon Dormandy for a peek behind the scenes. So what can we expect from the show?

    “It’s very funny, extremely sad, deeply weird and completely wonderful,” says Dormandy. “Everyone should see the play at least once in their life, and a good production is something you never forget.”

    Written after the end of the Second World War, I ask if the play is still timely.

    “It has in recent years started to feel like a period piece, at risk of becoming choked by its 1950s roots. Audiences at the Arcola production will see it set free from those roots and played as a completely contemporary play, about two young rough sleepers and the mad world they find themselves in once all sense of direction is lost.

    “By casting two brilliant young comedians [Tom Palmer and Tom Stourton] in the roles normally reserved for elderly classical actors, we hope to bring out the play’s immense humour and show that it is absolutely of our time,” Dormandy says.

    So how true does it stay to the original exactly? Very, by the sounds of things, though I wonder how they have made the play relevant to contemporary audiences.

    “By setting it in a recognisable contemporary world, with clothes, settings, props and verbal rhythms that are absolutely of this moment, by treating it as if it were a play written yesterday and allowing ourselves to respond freely to what it suggests, while honouring the text to the letter, and by casting two brilliant young comedians in the leading roles,” says Dormandy.

    So is this aimed at Beckett fans who are familiar with the play, or is it accessible to newcomers?

    “Both. I’m a Beckett fan, as is everyone involved in the production, and I hope we will flush out and throw up some new ways of seeing this magnificent play through our approach,” says Dormandy.

    “But I also want people who have never seen a Beckett play and are a bit put off by all the white wigs, inch-thick make-up and grey clothing normally associated with productions of his plays to feel confident they’ll get a completely accessible and thoroughly entertaining evening.

    “Yes, Beckett can and should be highly entertaining as well as profoundly challenging and, ultimately, life-enhancing.”

    Waiting For Godot
    7 May –  14 June 2014
    Arcola Theatre
    24 Ashwin Street
    E8 3DL