This stage adaptation of this 2016 Persian-language horror is sharp on the politics of women's lives in wartime Tehran — and oddly literal-minded about its Djinn. Lelia Farzad leads a strong cast; the parlour tricks let them down
Romola Garai leads revival that swaps 19th-century etiquette for sterile greed, proving that the pursuit of wealth still has the power to twist the theatrical knife
The musical version was Rupert Goold’s first smash production as artistic director of the Almeida Theatre, and he now revisits this dark, satirical commentary on 1980s corporate greed
