Tag: Rio Cinema

  • Discovering the long lost cinemas of Hackney

    Discovering the long lost cinemas of Hackney

    The Rio Cinema in 1985
    The Rio Cinema in 1985

    More films are probably watched in the current era than at any other time in movie history – the majority on TV screens, computers, tablets and even mobile phones.

    But to experience the splendour of cinema on the big screen there are only two places in Hackney: the Rio on Kingsland High Street and Hackney Picturehouse on Mare Street.

    This wasn’t always the case. Over 60 cinemas have existed at one time or another within Hackney, and although all 60 were never in operation at the same time, there were around 30 cinemas operating in the golden years between 1920 and 1950. It is difficult to imagine stepping out onto Kingsland Road or Mare Street on a Saturday night and having 30 cinemas from which to choose!

    Many of the Hackney cinemas opened during a flurry of entrepreneurial activity just before the First World War. There were extraordinary profits to be made; it was like a gold rush and numerous speculators and opportunists were all trying to get in on the cinema act. Film historian Luke McKernan called it “a phase of greedy speculation in cinema building”, with 52 cinemas established in Hackney in seven years, between 1907 and 1914.

    hackney-picture-palace-_1914-620
    Above: Hackney Picture Palace, around 1940. The cinema first opened in 1914. Below: the site of the former cinema on Mare Street today

    hackney-picture-palace-site-of_2016

     

    hackney-pavilion-_mare-st_opened-1914-620
    Above: Hackney Pavilion on Mare Street circa 1960. The cinema opened in 1914. Below: The site of the former cinema. which is now a bank, today

    hackney-pavilion-_mare-st_site-of_2016-620

    Some were converted shops, chapels, churches and skating rinks, whilst others were struggling theatres and music halls eager to boost audiences cash in on the phenomenon of moving pictures by installing screens and projectors. Still more were new, purpose-built cinemas. Although some closed down after a few years (their owners seemingly took the money and run), there was another flurry of cinema activity in the 1930s, when six luxurious ‘super’ cinemas were opened, with elegant art deco architecture and lavish interiors.

    odeon-211-hackney-rd-_1938_620
    The Odeon on 211 Hackney Road, which later became a Mecca Bingo. Below: the same site, which is set to become flats, in 2016

    odeon-211-hackney-rd-_2016

    regal-abc-mare-st-_1970-620
    Above: The ABC (formerly Regal) on Mare Street in 1970. Below: site of the former cinema today

    regal-abc-mare-st-_site-of_2016

    These were the Regent (later renamed the Odeon) in Stamford Hill, the Regal (later the ABC) on Mare Street, the Savoy on Stoke Newington Road (later also an ABC), the Odeon on Hackney Road, the Ritz (again renamed the ABC) in Stamford Hill and finally the Odeon Dalston, along Kingsland Road, close to Dalston Junction. With gigantic interiors and massive screens, Hackney cinemagoers could wallow in the dark in warmth and comfort as the films unspooled.

    regent-odeon-stamford-hill-_opened-1929-620
    Above: The Regent in Stamford Hill, which opened in 1929. Below: Sainsbury’s, which occupies the same site today

    regent-odeon-stamford-hill-site-of_2016-620
    It is generally thought that the decline in cinema attendance in the 1950s was the result of the boom in television (the birth in fact of electronic home entertainment), but this is only part of the story.

    Bombing during the Second World War had destroyed over a million buildings in London, and left 1.2 million Londoners homeless. As families moved to new towns such as Stevenage, Harlow, Hatfield and Basildon, communities broke up and traditional work and leisure patterns eroded. Cinema-going and many other pursuits were abandoned or displaced. By 1970 there were just nine cinemas in Hackney and by 1980 only three remained. When I left the Rio in 1989, it was down to one: the Rio was the only cinema still operating in the borough. But again leisure patterns have changed, and that number has now doubled.

    Today there are campaigns and plans to restore both the Clapton Cinematograph Theatre (the Kenning Hall cinema) and the Castle in Brooksbys Walk. If successful, an additional two cinema venues in the borough will mean that the opportunities for Hackney residents to see films on the big screen will have doubled yet again!

    The accompanying pictures show some of Hackney’s glorious cinemas; how they once looked, and how the sites look now. If you have any memories of cinemas and cinema-going in Hackney, leave a message in the comments below.

    This article is based on a talk given to the Friends of Hackney Archives on 7 September 2016.

    Photo credits: Hackney Archives, Cinema Theatres Association, Cinema Treasures

    For further information about the Clapton Cinematograph Theatre campaign, visit saveourcinema.org/ and for the Castle Cinema see kickstarter.com/projects/pillowcinema/revive-the-castle-cinema

    savoy-abc-cinema-stoke-newington-rd-1963-620
    ABC cinema (formerly Savoy) on Stoke Newington Road in 1963. Below: Efes snooker club, which operates on the same site today

    savoy-abc-stoke-newington-rd-_2016-620

     

    coliseum-_31-33-stoke-newington-rd_1970-620
    Above: Coliseum cinema at 31-33 Stoke Newington Road in 1970. Below: the same site 15 years on in 1985

    coliseum-_31-33-stoke-newington-rd_1985-620

     

    odeon-dalston-_stamford-rd_1948_620
    Odeon Dalston on Stamford Road in 1948. Below: the site today

    odeon-dalston-_stamford-rd_site-of-2016-620

     

    stamford-hill-super-cinema-152-158-clapton-common_1930-620
    Above: The 1928 film Why Sailors Go Wrong plays at Stamford Hill Cinema. Below: Asda, on the site of the cinema today

    stamford-hill-super-cinema-152-158-clapton-common_site-of_2016-620

  • Fringe! Queer Film and Arts Fest: this year’s programme announced

    Fringe! Queer Film and Arts Fest: this year’s programme announced

    Check It, a documentary about the a queer gang in Washington D.C screens at Fringe!
    Check It, a documentary about a queer street gang in Washington D.C. screens at Fringe! in November

    The travails of the world’s only documented gay street gang, the daily life of a ‘third gender’ family in India and some sexy and shocking short films are set to hit East London’s screens at the Fringe! Film and Arts Fest next month.

    The annual queer arts festival was launched in 2011 and has become a mainstay of East London’s cultural calendar.

    Cinemas, art galleries, pop-up venues and basement clubs are to host a raft of film screenings during November alongside a programme of experimental art, workshops, interactive walks and parties.

    The grand opening of this year’s programme is on 15 November at the Rio with Viva, the story of a hairdresser in Havana who works at a drag cabaret club to make ends meet but has dreams of stardom.

    Check It, at the Institute of Light, is a documentary about the Washington D.C street gang of the same name (apparently the only documented queer gang in the world) and their struggles to claw their way out of gang life through the unlikely avenue of fashion.

    Shorts supply: Natural Instincts is a series of short films designed to shock and arouse in equal measure
    Shorts supply: Natural Instincts is a series of short films designed to shock and arouse in equal measure

    Other film highlights include Guru: A Hijra Family, a moving portrait of the daily life of a family of transgender women in India known as hijras, commonly referred to as ‘the third gender’.

    A series of shorts tackling the theme of being young and in love and will, according to the programme “resonate like the first time”. Whilst another, Natural Instincts, veers towards the explicit, featuring depictions of spanking and light bondage.

    Away from the films, spoken word night Queer’Say will see broadcaster and comedian Rose Wilby host performances by three acclaimed LGBT poets and the drag performer and dominatrix Holestar will be hosting a BDSM workshop and fetish party.

    Fringe! Queer Film and Arts Fest
    15–29 November
    various East London venues

    For more information and the full programme, see here.

    Still from Viva, which opens the festival at the Rio Cinema
    Still from Viva, which opens the festival at the Rio Cinema next month
  • Rio Cinema set to host the London Feminist Film Festival in August

    Rio Cinema set to host the London Feminist Film Festival in August

    A still from Credible Likeable Superstar Role Model
    A still from Credible Likeable Superstar Role Model

    The organisers of this year’s London Feminist Film Festival (LFFF) aim to provide a space for discussion, organisation and celebration.

    The fourth edition of the festival is opening with a 25th anniversary screening of Pratibha Parmar’s A Place of Rage. Parmar’s award-winning documentary celebrates African American women within the context of the civil rights, black power and feminist movements, all of which the organisers deem important struggles to recall in a time when women’s rights are still under attack.

    The films aren’t all quite so heavy, with some screenings coming from places of laughter such as feature length “pop-u-mentary” Credible Likeable Superstar Role Model, in which a young girl and her aunt attempt to create an alternative pop star who isn’t hyper-sexualised.

    Other notable screenings include the European premiere of documentary feature No Kids for Me, Thanks!, about childless women, and the Shappi Khorsandi-narrated short One Thousand And One Teardrops, about women’s dress codes in Iran.

    Each screening will be followed by a discussion with the filmmakers, providing opportunity to discuss the themes of their work and talk about the challenges of working in the film industry.

    Throughout the festival there will also be panel discussions addressing topical social issues such as the right to abortion, the experiences of refugee women and the representation of the female body in patriarchal society.

    The festival takes place at the Rio Cinema in Dalston from 18 to 21 August, and the full programme can be found on the festival website. If you’re even slightly interested in female empowerment, there’s definitely something at this year’s LFFF for you.

    London Feminist Film Festival
    18-21 August 2016
    Rio Cinema
    107 Kingsland High Street
    E8 2PB

  • Iain Sinclair walks ‘ginger line’ in film adaptation of London Overground

    Iain Sinclair walks ‘ginger line’ in film adaptation of London Overground

    Walking the line: Iain Sinclair (left) surveys London
    Walking the line: Iain Sinclair (left) surveys London

    London’s itinerant seer Iain Sinclair, famed for his documented walks around the city, has set out again to trek around the ‘ginger line’ for a filmed adaptation of his latest book, London Overground.

    Directed by John Rogers, the film takes place over the course of the year, rather than a single day. It follows Sinclair as he follows the railway tracks on foot from his home in Haggerston, visiting 33 stations in a 35 mile round trip.

    Film-maker Andrew Kötting, who walked him when he first made the 15 hour journey, joins him in Rotherhithe, and they make their way together through Canada Water, Surrey Quays to Queens Road Peckham.

    At Willesden Junction he is met by film-maker and author Chris Petit, and in Dalston local campaigner Bill Parry-Davies, who composed some of the film’s score, joins him to survey what has changed as the area has been redeveloped.

    Sinclair dubbed the Overground the ‘ginger line’ after he heard the moniker from some costumed art students in New Cross, who make an appearance in the film too.

    He describes it as the “spin-drier of capitalism whirling bank notes around the city – a real moment to look at this city of unreal money” where a new city is emerging.

    The film offers a “snapshot of the city in transition and a unique insight into the most important chronicler of contemporary London.”

    The film will premiere as part of the East End Film Festival. The screening will take place at the Rio Cinema in Dalston on Saturday 2 July and a Q&A with Iain Sinclair and John Rogers will be held afterwards.

  • Rio Cinema workers to strike over living wage and redundancies

    Rio Cinema workers to strike over living wage and redundancies

    Art deco landmark: The Rio. Photograph: Glenn McMahon
    Changing times: the Rio Cinema. Photograph: Chris Evans

    Staff at the Rio Cinema in Dalston are to strike over low rates of pay and compulsory redundancies.

    In a ballot that took place on Wednesday (11 May), cinema workers voted to take industrial action, with the walk out set to take place on 25 May.

    Employees are seething over the cinema’s reluctance to pay the London Living Wage (LLW) – currently set at £9.40 an hour – a figure regarded as the basic cost of living in the capital.

    Last month Rio Cinema announced a restructure that offers higher wages but which cuts hours and staff to pay for it.

    The disgruntled workers have launched the SOS Rio campaign, and an online petition has attracted 2250 supporters, including the likes of Hackney director Asif Kapadia and the actor Zawe Ashton.

    The Rio employs 30 members of staff, many of whom work on a part-time or casual basis.

    Two thirds of the cinema’s staff are in BECTU, the media and entertainment trade union.

    In the ballot on Wednesday, 13 employees voted in favour of strike action, with seventy per cent of BECTU members casting their vote.

    The strikers’ demands include a pay rise for all staff and commitment to the LLW, the withdrawal of the cinema’s restructure and threat of compulsory redundancies, as well as a “detailed five-year plan from the Board on how they intend to grow the cinema as a community resource for low income families”.

    “What started out as a simple pay dispute has turned into a passionate ideological battle over the soul of one of the last community cinemas in London,” said Sofie Mason, national official of BECTU.

    “Staff want change but not change that rips the heart out of the Rio.”

    Rio cinema Executive Director Oliver Meek said he was “at a loss” over the planned strike.

    “I’m incredibly frustrated by this,” Mr Meek said. “I’ve already confirmed with staff that the vast majority would go from the minimum wage, which is currently £7.40, to 12.5 per cent above that to £8.10 an hour.

    ”It’s not the London Living Wage, and whilst I agree we should be paying the London Living Wage, we can’t do that when the cinema is not financial viable.

    “The salary I’m proposing is more than many other independent cinemas pay, and this is really a first step.”

    Mr Meek, who became the cinema’s Executive Director last year, has hatched a “regeneration plan” for the Rio, which would add a second screen and make the ailing business more sustainable.

    “If we had a second screen we’d be able to pay the London Living Wage – which is what we should be doing,” he said.

    “But effectively I’ve taken on a cinema that’s been failing for a decade so I’m not able to do so at this point,” he said.

    Long-running dispute

    The long-running dispute over pay dates back to 2013, when the Rio Board announced the cinema was close to going under.

    Staff agreed a pay cut of 10 per cent over seven months, which along with public donations saved the cinema.

    Then in October 2015 staff asked for a pay rise for all employees, as well as repayment of the 10 per cent wage cut from 2013.

    But all the cinema bosses offered was a wage increase to £8.10 for the lowest paid, which led to the collapse of talks in March.

     

     

  • London Sex Worker Film Festival seeks to challenge ‘whorephobic’ society

    Soy Negra
    Scene from Columbian documentary Soy Negra, Soy Marica, Soy Puta

    An on-the-job video of a peep show girl and a documentary about a transgender sex worker who takes in an abandoned young girl are among the films to be screened at the London Sex Worker Film Festival this Sunday.

    The festival, to be held at the Rio Cinema, seeks to challenge an “intensely whorephobic society” with a programme of films made mainly by current or erstwhile sex workers.

    Shorts and longer features address topics such as migration, border control, race, gender and violence.

    Highlights include the feature Red Umbrella Diaries, a 90-minute documentary telling the individual stories of seven New Yorkers who work in different sectors of of the sex trade and the Columbian documentary Soy Negra, Soy Marica, Soy Puta (I’m black, I’m gay, I’m a sex worker) that follows a sex worker and lawyer who campaigns for and represents trans people and sex workers in Colombia.

    Shorter works include the self-shot Diary of a Peep Show Girl, the award-winning Roxanne, in which a transgender sex worker’s life is thrown into question after she starts looking after an abandoned girl, and Becky’s Journey, about a Nigerian woman who attempts to go to Europe to sell sex in the hope of changing her life for the better.

    Now in its third year, the festival will be looking to mark the 30-year anniversary of the sex worker occupation in Lyon, when sex workers occupied a church for eight days to draw attention to their lack of rights in French society.

    London Sex Worker Film Festival is at Rio Cinema, 107 Kingsland High Street, E8 2PB on Sunday 8 November.

    https://londonsexworkerfilmfest.wordpress.com/

     

     

  • London Feminist Film Festival gets underway

    Feminist classic: The Company of Strangers. Photograph: NFB Canada
    Feminist classic: The Company of Strangers. Photograph: NFB Canada

    This year’s London Feminist Film Festival (LFFF) opens today, showcasing films on a wide range of subjects and issues by women directors from across the world.

    Fifteen films in total will be screened throughout the four-day festival, which is taking place at Dalston’s Rio Cinema as well as the Tricycle Theatre in Kilburn.

    Some of the themes covered include women in UK hip hop, children’s views on gender, sexual harassment in public space and Jewish feminism.

    This Saturday there will be a screening of six short films and, on its final day, the festival will hold a ‘feminist classics session’. Each session will be followed by a panel discussion.

    The festival begins this evening at the Rio with The Lady of Percussion, a film about a female drummer trying to make it in the male-dominated Cuban music industry. This is followed by Through the Lens of Hip Hop: UK Women. After the screening rapper Pariz-1, who features in the film, is set to perform.

    Tomorrow (21 August) will see the UK premiere of She’s Beautiful When She’s Angry by Mary Dore, a history of the “outrageous … brilliant women who founded the modern women’s movement from 1966 to 1971”, while Saturday’s screenings include the European premiere of It Happened Here.

    This documentary follows the stark and disturbing prevalence of sexual assault on US university campuses. The film will be followed by a panel discussion chaired by Jessica Horn, a women’s rights consultant and a founding member of the African Feminist Forum. All profits from this screening go to Rape Crisis England and Wales.

    The final day of the LFFF kicks off with a matinee screening of But They Can’t Break Stones by Elena Dirstaru, which offers an insight into women’s rights in Nepal, and is preceded by a short by Maryam Tafakory about FGM.

    At 4pm the festival will dig up a feminist classic: Cynthia Scott’s 1990 film The Company of Strangers. The film blends fiction, documentary and improvisation to track the (mis)adventures and of a bus-full of elderly women, stranded in the Canadian countryside. The film won Best Canadian Film at that year’s Vancouver International Film Festival.

    The festival finale that evening is another UK premiere, Esther Broner: A Weave of Women by Lilly Rivlin, which documents the evolution of Jewish feminism through a portrait of Esther Broner, founder of the first Feminist Passover Seder service in New York in the 1970s.

    The LFFF’s director and founder Anna Read said of the festival:“There is still so much discrimination and oppression of women everywhere in the world – we screen films showing women fighting back and navigating a space for themselves and other women in this sexist world.

    “We aim to show films which deal with the important issues of the day and which can inspire others to get involved in feminist activism in one way or another. So often we see a narrow, stereotypical misogynist view of women in films – LFFF prides itself on showing films with positive role models for women and girls. So, in essence, we’re trying to create a space for feminism and women filmmakers and to perhaps change the world just a tiny bit.”

    The London Feminist Film Festival runs until 23 August at the Rio Cinema, Dalston and the Tricycle Cinema, Kilburn.

    For the full programme and venues, see: http://londonfeministfilmfestival.com/lfff-2015-programme/