Tag: Shakespeare

  • Saddled with Shakespeare: The Handlebards ride to Geffrye Museum

    Saddled with Shakespeare: The Handlebards ride to Geffrye Museum

    The Handlebards' all-female troupe. Photograph: The Handlebards
    The Handlebards’ all-female troupe. Photograph: The Handlebards

    How different Shakespeare’s plays would have been had bicycles existed in his day.

    Richard III might have declared: “A bike! A bike! My kingdom for a bike!” and that famous stage direction in The Winter’s Tale “exit, pursued by a bear” may not have resulted in the death of poor Antigonus.

    This month an all-bicycling theatre company giving new meaning to the phrase ‘play cycle’ by pedaling more than 1,000 miles across the country to perform Shakespeare.

    The Handlebards are two acting troupes (one male, one female) with four members each. They load up their bicycles with set, props and costumes and perform Shakespeare on the hoof in a manner they describe as “energetic, charmingly chaotic and environmentally sustainable”.

    On a national tour of more than 50 venues, the group’s all-female crew will be stopping off at the Geffrye Museum for “knee-slapping, inventive, off-the-wall,” performances of two Shakespeare classics: Romeo and Juliet, his tale of star-crossed lovers, and early comedy The Taming of the Shrew.

    The cycling actors embarked on their first tour in 2013 and have performed in schools across the country as well as performing in India, Singapore, Malaysia and Myanmar.

    In 2014 the group won the Edinburgh Fringe Sustainable Practice Award for saving 50.2 tonnes of CO2 by travelling by bike.

    Romeo and Juliet (9 September)
    The Taming of the Shrew (10 September)
    The Geffrye Museum
    136 Kingsland Road
    E2 8EA
    geffrye-museum.org.uk

  • Richard III – review

    Richard III – review

    Ralph Fiennes
    Ralph Fiennes as Richard III. Photograph: Marc Brenner

    It is very hard to know exactly how to perform Richard III: each way has its dangers. Making Richard the complete villain panders too much to Shakespeare the propagandist. Many of us have read Josephine Tey’s The Daughter of Time and believe that most of the charges against him were trumped up by the Tudors; but there is not enough in the play itself to portray a more human and considerate person, no speeches like in The Merchant of Venice that say ‘If you prick us, do we not bleed?’.

    So how does the Almeida solve the staging problem with its superb catch of Ralph Fiennes in the starring role? Well, turn Richard into a buffoon and play it for laughs. And Fiennes does gets titters from the endless irony, slapstick and joking asides that pervade throughout. Certainly the show is lighter. But maybe he goes too far? There are even echoes of Rigsby (Leonard Rossiter) from the 70s sitcom Rising Damp in the way Fiennes turns the dialogue into a series of japes.

    It is not clear that this portrayal gets to the essence of the play when real darkness enfolds: the politician-turned serial killer gets to the throne but throws away all advantage in the process. Especially as the staging convincingly conveys the sinister purpose: the stark stage, the large crown overhead, the crashing and horror-inspiring chords that mark the scene changes and the sparse but piercing lighting. The supporting cast is superb, in particularVanessa Redgrave as Queen Margaret, Aislín McGuckin as Elizabeth and Finbar Lynch as Buckingham.

    After the interval, the show settles down as Ralph hams it less, and we see more into Richard’s tortured soul. That is how it should be played and the hope is that Fiennes will have honed his performance during the run.

    Richard III
    Until 6 August 2016
    The Almeida Theatre
    020 7359 4404

    Richard III is to be live broadcast in cinemas around the world on 21 July partnership with distributor Picturehouse Entertainment.