Christine Bacon's expansive new play at the Arcola, drawn from Jason Hickel's The Divide, takes aim at 80 years of 'international development' — and is very nearly saved by a strong cast from a script that wants to do everything at once
Serdar Biliş reframes the Greek classic through EarPods, satin, and silver. With a seasoned cast and raw, real-world interviews, the Arcola’s Iphigenia successfully bridges the gap between past and present.
Mike Poulton’s play about Terence Rattigan’s secret lover does a stellar job of conveying the post-war prejudice and emotional reticence of 1940s Britain