Christine Bacon's expansive new play at the Arcola, drawn from Jason Hickel's The Divide, takes aim at 80 years of 'international development' — and is very nearly saved by a strong cast from a script that wants to do everything at once
This stage adaptation of this 2016 Persian-language horror is sharp on the politics of women's lives in wartime Tehran — and oddly literal-minded about its Djinn. Lelia Farzad leads a strong cast; the parlour tricks let them down
Serdar Biliş reframes the Greek classic through EarPods, satin, and silver. With a seasoned cast and raw, real-world interviews, the Arcola’s Iphigenia successfully bridges the gap between past and present.
The musical version was Rupert Goold’s first smash production as artistic director of the Almeida Theatre, and he now revisits this dark, satirical commentary on 1980s corporate greed